By Stephanie Brown
Americans on the planet battle II period received the novels of African American writers in extraordinary numbers. however the names at the books lining cabinets and filling barracks trunks weren't the now-familiar Richard Wright and Ralph Ellison, yet Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.
In this ebook, Stephanie Brown recovers the paintings of those leading edge novelists, overturning traditional knowledge in regards to the writers of the interval and the trajectory of African American literary background. She additionally questions the assumptions concerning the family members among race and style that experience obscured the significance of those once-influential creators.
Wright's Native Son (1940) is usually thought of to have inaugurated an period of social realism in African-American literature. And Ellison's Invisible Man (1952) has been solid as either a excessive mark of yankee modernism and the one useful stopover with a purpose to the Black Arts flow of the Sixties. yet readers within the overdue Nineteen Forties bought sufficient copies of Yerby's ancient romances to make him the best-selling African American writer of all time. Critics, in the meantime, have been paying attention to the widespread experiments of Redding, Himes, and Smith, whereas the authors themselves puzzled the duty of black authors to put in writing protest, in its place penning campus novels, conflict novels, and, in Yerby's case, "costume dramas." Their prestige as "lesser lighting fixtures" is the made of retrospective bias, Brown demonstrates, and their novels confirmed the interval instantly following international struggle II as a pivotal second within the historical past of the African American novel.
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Extra resources for The Postwar African American Novel: Protest and Discontent, 1945-1950 (Margaret Walker Alexander Series in African American Studies)
The Postwar African American Novel: Protest and Discontent, 1945-1950 (Margaret Walker Alexander Series in African American Studies) by Stephanie Brown