By Diane Glancy
Glancy wrote as an observer--as a person who had talked to the scholars within the universities--who had skilled a foreboding of what was once forward for Syria, in particular after hearing the unrest of the scholars. within the shiny solar, as they walked towards her, smiling, she felt an inexplicable aspect of grief. She heard the will of the folk to be unfastened. Later, following the rebellion of civil warfare at the information, she knew she was once seeing the cost the Syrians might pay for that hope.
A stopover at to a international nation leaves a part of oneself in that position. yet anything in go back is taken. This choice of poems explores the "something that's taken" with implications for the Christian believer and the problems concerned. What will be performed in a global filled with refugees? Is there something to do except stand again and watch?
"To trace the complexities of being an alien in another country and to additionally examine the unusual intimacy of the tale all of us inhabit: this can be what Diane Glancy asks us to do. She attends to this fractured, uneasy, very unlikely stability, relocating among the center East and her personal tale, and rises as much as the Divine the query of what to do within the face of insufferable human brutality and human tenderness."
--Anne M. Doe Overstreet, writer of Delicate equipment Suspended
Diane Glancy is professor emerita at Macalester collage. Her 2014-15 books are citadel Marion Prisoners and the Trauma of local schooling, collage of Nebraska Press (creative nonfiction), report back to the dept of the inner, collage of recent Mexico Press (poetry), and 3 novels, rebellion of Goats (the voices of 10 Biblical women), one among Us (the church a assassin left in his wake), and Ironic Witness (a minister's spouse reveals herself in hell). between her awards are nationwide Endowment for the humanities Fellowships, a Minnesota booklet Award, and an American publication Award.
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The Collector of Bodies: Concern for Syria and the Middle East by Diane Glancy