By Daniel Curley
For the main half, the figures within the panorama of those tales are women and men acting the rituals that result in and clear of marriage. In "The First Baseman," a guy within the strategy of getting a divorce falls in love with a participant on a woman's softball workforce, yet their dialog by no means is going some distance past the topic of her batting general. In "Trinity," an estranged couple introduced jointly back by way of the demise in their daughter reveals that they can not recreate both their love or their baby. And in "Wild Geese," a man's dream approximately his adolescence, while flocks of ducks patterned the sky, is interrupted and at last shot-through through fevered photographs of a tedious dinner party.
Nature exists as a shelter in those tales, however it is a safe haven generally to be present in the shadow of the phobia of dying; within the recesses of reminiscence; past the bars that isolate zoo animals from an unruly international. Demonically sincere and occasionally violently humorous, Living with Snakes tells of an international the place love is at top a touch-and-go type of factor, the place occasionally women and men are certain jointly no longer a lot by way of affection as by way of mutual loss, mutual pain.
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Living with Snakes (Flannery O'Connor Award for Short Fiction Ser.) by Daniel Curley