By Cathrine O, Dr Frank
Focusing at the final will and testomony as a felony, literary, and cultural record, Cathrine O. Frank examines fiction of the Victorian and Edwardian eras along genuine wills, felony manuals in relation to their construction, case legislations concerning their management, and modern debts of “curious wills” in periodicals. Her research starts off with the Wills Act of 1837 and poses easy questions: What photograph of Victorian tradition and private subjectivity emerges from competing criminal and literary narratives in regards to the will, and the way does the shift from realist to modernist representations of the need intensify a turning out to be divergence among legislation and literature? Frank’s exam of works via Emily Brontë, George Eliot, Charles Dickens, Wilkie Collins, Anthony Trollope, Samuel Butler, Arnold Bennett, John Galsworthy, and E.M. Forster unearths the shared rhetorical and cultural value of the desire in legislations and literature whereas additionally highlighting the contest among those discourses to constitution a social order that emphasised self-determinism but seen participants in courting to the wider neighborhood. Her learn contributes to our wisdom of the cultural value of Victorian wills and creates highbrow bridges among the Victorian and Edwardian sessions that may curiosity students from numerous disciplines who're occupied with the legislation, literature, and heritage of the 19th and early 20th centuries.
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Targeting the final will and testomony as a felony, literary, and cultural rfile, Cathrine O. Frank examines fiction of the Victorian and Edwardian eras along real wills, criminal manuals in terms of their production, case legislations relating to their management, and modern debts of “curious wills” in periodicals.
Extra info for Law, Literature, and the Transmission of Culture in England, 1837–1925
Law, Literature, and the Transmission of Culture in England, 1837–1925 by Cathrine O, Dr Frank