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By Nicholas Freeman

Conceiving the City is an leading edge examine of the ways that a iteration of late-Victorian novelists, poets, painters, and theoreticians tried to symbolize London in literature and artwork. Breaking clear of the language and magnificence of Dickens and the static landscape work of William Powell Frith, significant figures equivalent to Henry James and J. M. Whistler, and, crucially, less-celebrated authors similar to Arthur Machen, Edwin Pugh, and George Egerton bent realism into fascinating new shapes. within the naturalism of George Gissing and Arthur Morrison, the fragmentary impressions of Ford Madox Ford, and the brooding secret of Alvin Langdon Coburn's photogravures, London emerged as a spotlight for dynamic, explicitly smooth paintings. even if a lot of those insights will be brushed aside or a minimum of downplayed by means of next generations, the tips developed in the course of the interval from 1870 to 1914 expect not just the paintings of excessive modernists similar to Eliot and Woolf, but additionally that of later city theorists similar to Foucault and de Certeau, and the novels and travelogues of latest London writers Peter Ackroyd and Iain Sinclair. Nicholas Freeman recovers a feeling of late-Victorian London as an issue for dynamic theoretical and aesthetic experiments, and indicates, in stimulating analyses of Conan Doyle, H. G. Wells, Arthur Symons, and others how a lot of our figuring out of city area we owe to eminent (and no longer so eminent) Victorian figures. Written in a transparent and obtainable type, the e-book restores a much-needed ancient point of view to our engagement with the metropolis.

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Conceiving the City: London, Literature, and Art 1870-1914 by Nicholas Freeman

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